Bach Bibliography Search Result

Author : Dreyfus, Laurence
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Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Dreyfus, Laurence	Bach and the Patterns of Invention. Cambridge, MA: Harvard Univ. Press, 1996. [v], 270p. ISBN: 0674060059; Paperback edn. 2004. 288p. ISBN: 0-674-01356-5	[ce]Dreyfus			1996	270p
	2.	Dreyfus, Laurence	Bach and the Pursuit of Contemplative Time. A paper read at the AMS/SEM/SMT Oakland Annual Meetings on 7-11 November 1990.	[p]AMS_Oakland			Nov 1990
	3.	Dreyfus, Laurence	Bach as Critic of Enlightenment. [Revised version of 'The Articulation of Genre in Bach's Instrumental Music', [cr]Philadelphia1985 (1986), pp. 10-38] [BWV 831, 198]	[ce]Dreyfus			1996	219-244; 258-260
	4.	Dreyfus, Laurence	Bachian invention and its mechanisms.	[ce]CambridgeCompanion_Bach			1997	171-192
	5.	Dreyfus, Laurence	Bachian Poetics in the St John Passion. A keynote paper read at SMA Spring Study Day 'Bach's Passions' held on 24-25 April 2009 at University of Glasgow.	[p]SMA_Glasgow			Apr 2009
	6.	Dreyfus, Laurence	Bach no Continuo Group -- Seigaku Sakuhin ni okeru Sosha to Kanshu ni tsuite. Dai-1-Sho: Jo. [Bach's Continuo Group -- Players and Practices in His Vocal Works: Chapter 1: Introduction (pp.1-9)] Trans. by Nahoko Goto.	BCJ		48	May 2001	26-32
	7.	Dreyfus, Laurence	Bach no Continuo Group -- Seigaku Sakuhin ni okeru Sosha to Kanshu ni tsuite. Dai-2-Sho: Orugan to Chenbaro. [Bach's Continuo Group -- Players and Practices in His Vocal Works. Chapter 2: Organ and Harpsichord (pp.10-23)] Trans. by Nahoko Goto.	BCJ		49	Jun 2001	28-38
	8.	Dreyfus, Laurence	Bach no Continuo Group -- Seigaku Sakuhin ni okeru Sosha to Kanshu ni tsuite. Dai-2-Sho: Orugan to Chenbaro (Shozen). [Bach's Continuo Group -- Players and Practices in His Vocal Works. Chapter 2: Organ and Harpsichord. (cont., pp.23-32)] Trans. by Nahoko Goto.	BCJ			Dec 2001	46-53
	9.	Dreyfus, Laurence	Bach no Continuo Group -- Seigaku Sakuhin ni okeru Sosha to Kanshu ni tsuite. Dai-2-Sho: Orugan to Chenbaro (Tsuzuki). [Bach's Continuo Group -- On the performers and custom in vocal works. Chapter 2: Organ and Harpsichord. (cont.)] Trans. by Nahoko Goto.	BCJ		54	Jun 2002	36-47
	10.	Dreyfus, Laurence	Bach no Continuo Group -- Seigaku Sakuhin ni okeru Sosha to Kanshu ni tsuite. Dai-2-Sho: Orugan to Chenbaro (Tsuzuki). [Bach's Continuo Group -- Players and Practices in His Vocal Works. Chapter 2: Organ and Harpsichord. (cont., pp.48-58)] Trans. by Nahoko Goto.	BCJ		53	Apr 2002	34-40
	11.	Dreyfus, Laurence	Bach no Continuo Group -- Seigaku Sakuhin ni okeru Sosha to Kanshu ni tsuite. Dai-2-Sho: Orugan to Chenbaro (Tsuzuki). [Bach's Continuo Group -- Players and Practices in His Vocal Works. Chapter 2: Organ and Harpsichord. (cont., pp.33-48)] Trans. by Nahoko Goto.	BCJ		51	Feb 2002	35-44
	12.	Dreyfus, Laurence	Bach's Continuo Group: Players and Practices in his Vocal Works. Cambridge, Mass; London: Harvard Univ. Press, 1987, xii, 264p. (= Studies in the History of Music, 3)	StudHistM(Harvard)	3		1987	xii, 264p
	13.	Dreyfus, Laurence	Composing against the Grain. [BWV 816, 18]	[ce]Dreyfus			1996	33-58; 249-250
	14.	Dreyfus, Laurence	Early music defended against its devotees: A theory of historical performance in the twentieth century.	[ce]BaroqueMusic			2011	499-527
	15.	Dreyfus, Laurence	Figments of the Organicist Imagination. [BWV 847/2]	[ce]Dreyfus			1996	169-188; 256-257
	16.	Dreyfus, Laurence	J. S. Bach and the Status of Genre: Problems of 'Style' in BWV 1029. A paper read at the Forty-Ninth Annual Meeting of the American Musicological Society, October 27-30, 1983 at The Galt House, Louisville.	[p]AMS_Louisville			Oct 1983
	17.	Dreyfus, Laurence	J. S. Bach and the Status of Genre: Problems of Style in the G-minor sonata, BWV 1029.	JMcol	5	1	Winter 1987	55-78
	18.	Dreyfus, Laurence	J. S. Bach's Concerto Ritornellos and the Question of Invention.	MQ	71	3	1985	327-358
	19.	Dreyfus, Laurence	J. S. Bach's Concerto Ritornellos and the Question of Invention. A paper read at the Greater New York Chapter meeting of the AMS on May 5, 1984 at Columbia University.	[p]AMS_GreaterNewYork			May 1984
	20.	Dreyfus, Laurence	J. S. Bach's Experiment in Differentiated Accompaniment: Tacet Indications in the Organ Parts to the Vocal Works. Studies and Reports.	JAMSoc	32	2	Summer 1979	321-334
	21.	Dreyfus, Laurence	Matters of Kind. [Revised version of 'Matters of Kind: Genre and Subgenre in Bach's Well-Tempered Clavier, Book I', [fs]Scheide (1993), pp. 101-119] [BWV 849/2; 856/2; 860/2; 850/2; 846/1; 849/2; 1080]	[ce]Dreyfus			1996	135-168; 254-256
	22.	Dreyfus, Laurence	Matters of Kind: Genre and Subgenre in Bach's Well-Tempered Clavier, Book I.	[fs]Scheide			1993	101-119
	23.	Dreyfus, Laurence	On Bach's Style. [BWV 1052, 1051]	[ce]Dreyfus			1996	189-218; 258-259
	24.	Dreyfus, Laurence	The Articulation of Genre in Bach's Instrumental Music.	[cr]Philadelphia1985			1986	10-38
	25.	Dreyfus, Laurence	The capellmeister and his audience: Observations on 'enlightened' receptions of Bach.	[cr]Stuttgart1985			1987	i: 180-189
	26.	Dreyfus, Laurence	The Ideal Ritornello. [Revised version of 'J. S. Bach's Concerto Ritornellos and the Question of Invention.', MQ, lxxi/3 (1985), pp. 327-358.] [BWV 1042, 35, 1047, 1061, 245/24]	[ce]Dreyfus			1996	103-133; 250-251
	27.	Dreyfus, Laurence	The Length of Bass Notes in J.S. Bach's Secco Recitatives. A paper read at the CMS / AMS / SMT Denver Annual Meetings, November 6-9, 1980.	[p]AMS_Denver			Nov 1980
	28.	Dreyfus, Laurence	The metaphorical soloist: Concerted organ parts in Bach's cantatas.	EarlyM	13	2	May 1985	237-247
	29.	Dreyfus, Laurence	The Metaphorical Soloist: Concerted Organ Parts in Bach's Cantatas.	[ce]JSBOrganist			1986	172-192
	30.	Dreyfus, Laurence	The Status of a Genre. [Revised version of 'J. S. Bach and the Status of Genre: Problems of Style in the G-minor sonata, BWV 1029.', JMcol, v/1 (1987), pp. 55-78] [BWV 1029, 1001/1, 1005/2, 808/1]	[ce]Dreyfus			1996	103-133; 251-254
	31.	Dreyfus, Laurence	The Triumph of 'Instrumental Melody': Aspects of Musical Poetics in Bach's St. John Passion.	BachPerspectives	8		2011	96-121
	32.	Dreyfus, Laurence	The Use of the Harpsichord in the Sacred Works of J. S. Bach. A paper read at the Forth-Fourth Annual Meeting of the American Musicological Society, Meeting Jointly with the Society for Music Theory, October 19-22, 1978 at Hotel Leamington, Minneapolis.	[p]AMS_Minneapolis			Oct 1978
	33.	Dreyfus, Laurence	What is an Invention? [BWV 772]	[ce]Dreyfus			1996	1-32; 247-249
	34.	Dreyfus, Laurence	Zur Frage der Cembalo-Mitwirkung in den geistlichen Werken Bachs.	[cr]Marburg1978			1981	178-184
	35.	Dreyfus, Laurence Dana	Basso Continuo Practice in the Vocal Works of J. S. Bach: A study of the Original Performance Parts. Univ. of Columbia 1980. 341p	diss.			1980	341p
	36.	Strohm, Reinhard; Butt, John; Dreyfus, Laurence; Tatlow, Ruth	Bach Network UK -- latest report: New Directions in Bach Studies: Second J S Bach Dialogue Meeting [9-10 December 2006 in Oxford]	BachNotesLBS			Mar 2007	[5]